b) Scenic Art

PDF format of Resume:Lana Peck Resume scenic artist props web2023

GOSHEN PLAYERS:

2022 A Wrinkle in Time:

2022 What’s Cooking:

2021 Lost in Yonkers:

hand-painted wallpaper utilizing handmade stamps:

Wall of Bella’s room with hand-painted Casablanca poster:

2019 Importance of Being Earnest:

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Earnest Review

MUSICALS at RICHTER:

2019 Summer Musical Season (Spamalot, Shrek, & Fairy Tales):

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Below are examples mostly from my “backyard playground,” the Warner Theatre in Torrington, CT.  Our main stage is a beautiful Art Deco movie house from the 1930’s and seats 1,700. The rather large proscenium is often a fair distance from audience members.

The Nancy Marine Studio Theatre is a 300 seat black box, where audience members are often seated at least maybe 10-25 feet away.

MAINSTAGE SET PIECES:

James & the Giant Peach:

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Once:

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Jekyll & Hyde, the Musical:

Avenue Q
(Kate Monster):

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Furnishings for Princeton’s apartment:

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Monitor for Lucy’s hospital scene:

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the “one night stands:”

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I was told this refrigerator was to be for Trekkie’s apartment, so I painted a photo he might
have on his fridge: him with William Shatner (signed, but not Shatner’s actual signature. His signature is hard to identify at a glance as his)

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One of the buildings on Avenue Q.  Mr. Cooper’s Food Store (note my idea for the “loaf of bread, a container of milk, and a stick of butter” reference):

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Notice I added a window where Yip Yip Aliens can meet a telephone:

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Something Rotten:

Nice Work If You Can Get It:

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Marbling texture from “Nice Work If You Can Get It”

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“Chandelier” being hung to the pipes to fly in for the dinner scene…the one where my character (Duchess Estonia) dances on the table!

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For The Addams Family, I painted portraits for the interior of the Addams house based on photos of the cast:

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Fester’s Moon for Addams Family was drawn freehand from a photograph of the actor:

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Joseph & Amazing Technicolor Dreamcoat, Warner 2019:

Below are some “critters” I painted for the Warner’s production of Thumbelina:

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Below are from Warner Theatre production of Hello Dolly:

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For Best Little Whorehouse in Texas on the mainstage, I painted a horseshoe and a portrait of the Sheriff for his office. The armadillo was painted for fun and the cast backstage:

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I drew and painted the Greyhound logo and lettering from photos. This was for The Warner Theatre’s musical production of “All Shook Up.”

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Below are set pieces for Rock of Ages

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STUDIO THEATRE SET PIECES:

Bug 2022:

Set pieces for Ken Ludwig’s The Games Afoot (Holmes for the Holidays):

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I painted an Alfred Hitchcock plaque, the wall decor and bed headrest for the hotel scene in 39 Steps:

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A peep show booth painted for Warner Theatre Performance Lab’s production of the musical Dogfight:

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This same set piece above was repurposed into a carnival game for another Performance Lab production, “Charlotte’s Web.” I came up with the decorative part of the ball toss game.

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Platforms painted to look like straw for “Charlotte’s Web”

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Beauty & the Beast (WCAE), “stain glass” windows of knights:

1930’s Kitchen floor, Wait Until Dark 2019:

Brick Wall done with a modified roller cover.

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Wooden train wall for “Assassins

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A wood box painted to look like…wood. Gets used a lot…

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…and later one of these boxes was turned into a “stack of newspaper table” for the studio production of American Idiot:

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Two flats of trees on “John’s Hill” in northern England for Calendar Girls.

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The image below shows a walnut tree painted in a residential bathroom for a private client:

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Little critters along the woodwork in my bathroom. These are not stenciled,  but hand-drawn:

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Practice…

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Below is an example of my early work. Hand-painted penguins on cardboard for a Penguin Books window display promotion at Encore Books:

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